Futura is a Registered Trademark of Bauer Types S.L. The commemorative plaque left on the Moon in July 1969 features text set in Futura. Futura works well for short blocks of text copy and captions. It is a good choice for space-sensitive environments. Futura is an exceptionally versatile typeface, suitable for headlines, sub-headings and body text at a smaller point sizes. This font face is based on geometrical shapes and the representative of the. He created this sans-serif typeface for Bauer Company in 1927. This typeface was produced by a conspicuous designer named Paul Renner. Boutros Futura was designed to work harmoniously with the URW-Latin whilst respecting Arabic calligraphic and cultural rules. More to Know Futura PT Font is a member of the largest Sans-serif typeface. The Futura URW family has sixth weights for each - Latin and Arabic - variant (Extra Bold, Bold, Demi, Medium, Book and Light).
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Therefore, if you wish to use this font for commercial purposes, you must purchase a license or contact the author for permission to use it. The download is completely free for personal use and the font cannot be used for commercial purposes. In 1928 it was striking, tasteful and radical and today it continues to be a popular typographic choice to express strength, elegance and clarity. The Futura PT Heavy font provided is for typography style knowledge only.
36 Styles from 15.00 (2 FREE) Worry-Free Futura Futuris ParaType. One of the great names in typography, Futura is a geometric sans-serif typeface originally designed by Paul Renner for the Bauer Type Foundry in 1928. 17 Styles from 25.00 (1 FREE) Worry-Free Coco Gothic Zetafonts.
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For the German lower-case diacritical marks, all Headline Types complements contain alternative integrated accents which allow the compact setting of lower-case headlines.įutura is a modern bilingual typeface designed and created by two professional groups, each expert in their own field. For a number of Bodytypes, hairlines and serifs were thickened or the whole typeface was adjusted to meet the optical requirements for setting type in small sizes. For the Bodytypes, fine spaces were created which prevented the smear effect on acute angles in small typesizes. In addition to the adjustment of spacing, there are also adjustments in the design. The kerning tables, as well, have been individualized for each of these type varieties. An informal decorative sans serif was designed by Gennady Fridman and released by ParaType in 2004. That of the Headline Types is decidedly more narrow in order to do justice to the requirements of headline typesetting.
That of the Bodytypes is adjusted for readability. The most obvious differentiation can be found in the spacing. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting (SB Scangraphic Bodytypes). Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions.
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